
this was written earlier this morning:
my mother's muffled sobs float through the ceiling that separates us, and i am frozen again. what kind of a brute am i that i can't show comfort and sympathy for my own mother? do i feel too sorry for myself to have any empathy for her? is that what i'm doing? feeling sorry for myself? i don't know...but lately the melody of my heart has been playing a dirge, everything's in a minor key, and these chord progressions are getting more and more disturbing.

and so i will drown it all out with what i can. work, more work, music that's louder than my internal cries, distractions & indulgences, emotional entanglements, forgetfulness, phone calls to an 847 area code phone in new york, whiskey sours & sierra nevadas. am i going to make it? i suppose i will. if i don't, it would not be fun...
ok. that's enough moroseness for a while. let's move on to petulance.

well, i TRIED to see annie quick & stickman jones yesterday at the abbey pub to shoot some photos. tim was going to meet me there and we thought they were going on at 11pm. so i got there a little after 9, thinking that was plenty of time, but as soon as i opened the door to the pub, i knew something was wrong. why in the world was i hearing annie singing? is this like a full blown sound check?

then i see posted the evening's lineup, and stickman jones had gone up at 8:45. i made it for their last song and that's it. crimeny! ok, whatever. i felt bad a) because i wanted to get photos of annie & her band, b) because i really wanted to hear live versions of songs off annie's new album (which is like way excellent) and c) because...well, i can't think of a c) because, but i'm sure there are other reasons i should feel bad. nevertheless, i did get a chance to meet annie, who's really sweet to her fans.

on the bright side, i did get to go see zapruder point again after all (refer to the 5/31 post). they were playing at the hideout, which i had never been to before, and it's called the hideout for a reason. it's not easy to find. i thought i made it somewhere within a 2 block vicinity of the place, but it was like in a really industrial part of town, and i couldn't see the address signs (not that i knew the address or anything) and then a chicago cop decided i was suspicious looking and trailed me. i ended up having to call my friend josh bearman for directions, and i'm like "i'm looking for the hideout & i'm by city of chicago fleet management!"and he's like, "yeah, you're there." so i had made it after all. but as long as i had josh on the phone, i wasn't going to let him off without giving him an earful since it's been like AGES since we'd had an actual conversation.

josh (and this is my chicago josh, not my new york josh) happens to have the gift of extraction without endeavor; he can get out of me everything that's really going on without even trying. so of course i had to dump on him my most recent irritations and sorrows as long as i FINALLY had him on the phone. by the time i made it in to the hideout, zapruder point was just about to go on. i actually ran into dan, the frontman for zp, as i was giving my last dollar to the man at the door, and i quickly relayed the crazy story of how i got to be at that place at that moment.

i love zp! it was a short set and i didn't really get too many pictures, but it was nice to see them again. and dan's twin brother scott's band goner from raleigh, nc played a full set after them. now i have to admit i haven't seen too many bands that utilize a synth and no guitar, but w/ scott playing the two synths, you don't even miss the guitar. it was a fun set, and i hope they come back to chicago often. maybe zp & goner can do a combined show.
alright. that's it for now.
recent soundtrack--
engine--american music club
davey jones's locker--the ocean blue
fetal position--bill mallonee
summershine--VoL
orange juice--annie quick
real men cry--lost dogs
get here and stay--764-hero
amplified heart--everything but the girl
sunday's best--ticklepenny corner
pleased to meet me--the replacements
satellite rides--old 97's
low resolution--zapruder point
the limitations of the source tape--zapruder point